Importance of researching the facts before writing fiction.
How many times have you heard the old cliché? “Fact is stranger than fiction”? Until I started writing I had never really thought about it before, and I blame TV programs such as Myth Buster for stirring me into action on the research front. In truth, it is that and a one star review of one of my short stories, where I had the Vice President of America boarding Air Force One, under the misconception that they were actually named aircraft. The fact is, Air Force One and Two are one of the same, with the descriptions only applied as to who is onboard. Air Force One is the designated name for when the President is onboard and Air Force Two for the Vice President. Okay, so it was no great effort to change the eBook text, but the one star review remains forever and serves as a reminder of the importance of getting things right.
Another cliché that comes to mind and directed at authors’ is, “Write about what you know.” There is a lot of truth in this as research is not as big a deal if you are writing about what you know and love and your knowledge adds authenticity to the read. A good example of this would be the Bravo Two Zero, Andy McNab, who wrote about his British Special Air Services operation exploits as a memoir. Since then he has gone on to writing fiction thrillers using his expertise in covert operations and weapons to produce a list of best-selling fiction.
“What’s the big deal?” you say “It’s fiction and in fiction we can write what we want.”
“True” I say, Not all readers are intolerant when it comes to stretching the plausible, but if you want to appeal to your market, you have to consider a good percentage of your readers who are well versed in all manner of subjects and even the slightest error of fact will have them toss the sample of the read aside, or they may respond with a bad review.
An example of this would be a gun enthusiast reading your work. Say you write a modern thriller and describe someone firing a Glock 9mil and invoke their sense of smell as experiencing the smell of “Cordite.” There are a number of problems using this description.
1) They stopped using small bore Cordite rounds around the end of the 20th century.
2) It is likely your character would be too young to have ever experienced the smell.
So how would you describe it? The answer is, that if you haven’t fired a gun, then research the subject.
Another example would be safety catches and safety-operational devices of guns and the way different models operate. I wish I had a penny for every time I have seen it described wrong. Research your guns folks. The link above “gun enthusiast” has some good descriptions of how different safety devices work.
“Okay but this is mostly boring stuff about guns.”
Well, yes it is, but let’s look at other examples. For instance, say you want to write about a wildfire in the Pine Mountains to the north of LA. It may be hot where you are for the time of year, but what is the season for likely wildfires in this area. A search of the internet will tell you. You will also be able to find the rescue services response to such events and the names of the equipment used. Who would have known that a bucket dropped into a lake from a helicopter to gather water would be called a Bambi bucket? Bambi bucket sounds just so much more authentic.
One example where I found research of vital importance was when I wrote a short story about Climate Change and the end of life on earth through CO2 poisoning. (The End, or a New Dawn). Here I wanted to have the character experience the death that breathing CO2 would cause and to evoke a sense of dread, or some response in the reader’s mind as to what could happen if the emotive term “Global Warming,” got out of hand and what it would mean physically and mentally before death. Rather that, than use my instinct to write simply that he coughed and spluttered and choked to death. I wanted the description to be medically correct in the depiction of the character’s death and what he would experience. Without research, on the internet I would not have achieved this.
One other thing to consider is that procedures change with technology advances. Ask yourself, does your city police still use a physical identity parade, or show you a number of photos, or do they pop in a computer disk have you watch a slide show. The same question could be asked of fingerprints. Do they still use ink and a roller, or do they digitize your prints from an electronic-pad device direct to a computer?
What can I do other than search the internet?
Well if you are famous, I suppose the FBI, or the local Police department may give you time of day. But for mere mortals there is always the local library, or if you know an expert on the subject in your neighborhood, you could always ask, or even pop into your local police station if you have a question on say procedure. Who knows, you may strike lucky as many people like to talk about their work. The internet is the least time consuming. One tool I have found useful is Google Maps and the street-level view. If you are writing about scenes in a town or city that you are not familiar with, then Google Street View is a useful tool, down to what type of business and other landmarks are around, and what type of trees etc to the type of road surface.
Writing about what you know?
There is no question about it, that if you don’t have the knowledge, that it should not be an impediment to writing about a subject, especially if you are an avid reader of your chosen genre, but if you have first-hand knowledge of the subject, then it places you at an advantage and in some instances it shows in the confident voice of the author that oozes authenticity.
One such author that is a great example of this is British author/ Crime writer, Debbie Bennett, who features on our Book Buzz page and expands on the subject of research in her article. Her latest release due out soon. Debbie is the author of a number of books, one of which is Hamelin’s Child. Her background in Law enforcement and procedures in the UK, which extends over 25 years, together with knowledge of drug Supplier/users and their habits, shines through in one of the most gritty authentic reads I have had in a long time. No wonder it was on the list for consideration by the UK Crime Writers’ Association Debut Dagger Award. Mine is not to reason why, but at the current sales promotion of 99c (Usual price $2.99) on Amazon kindle, it really is a steal.
Debbie is from England. I first met Debbie on the Harper Collins writers’ site, Authonomy. It was a few years ago when the site first opened and authors’ uploaded their work for critique. I’ll never forget sampling her work and thinking, wow, or the constructive advice she gave me when sampling mine. Her work was at the time streets ahead of the rest.
Here’s an idea of what she has gleaned from those 25 years to help with her work, which I am sure doesn’t even scratch the surface, but at the same time still uses research to keep her up to date.
“It was working with heroin importation that got me thinking about street drugs which led to Hamelin’s Child and the sequel Paying the Piper (which will be out in the next 2 months). I have (literal) hands-on experience with heroin, though I have to be careful how much I say! But I know what it tastes like and smells like, how it gets in the hair and into your clothes. I also have (or had) a working knowledge of police procedure and how custody works – although I’m a bit of out date on that score now, I do still work in police headquarters and have lot of useful contacts. I even asked one of my police mates (who is also a writer) to tell me how modern radio procedure would work and he helped me with a mock conversation that I have used in Paying the Piper.”
So there you are, even those with extensive knowledge of a subject still need to research to keep abreast of procedures. Good luck with your writing and with your research.
I can’t believe it has taken me until now to fathom out how to format the description on Create Space, or Kindle. The descriptions have to be one of the most important aspects of a readers decision for them to consider buying your book. I will keep the examples simple for those like me who are not computer literate.
Create space unfortunately offer no assistance with HTML. I have always uploaded as a direct copy and paste from word, but in 4 books I have just uploaded to Create Space, their software ignored all my paragraphs.
Type out your description in Word, or notepad. Format your paragraphs single spaced. I have not set a paragraph indent and no paragraph spacing. Now you can add the HTML code as below.
<p> creates a paragraph. <p/> closes the paragraph and automatically creates a paragraph space.
<b> Creates bold text. <b/> Closes the bold text.
Note: Let the HTML code create the paragraph space.
<p><b> Missing: The Body of Evidence, is a gripping crime thriller. A story of secrets and deceptions, and one woman’s determination to discover the truth. </b></p>
<p>When rookie LAPD detective Nancy Roberts is called to the scene of a fire and the remnants of a body are discovered, CSI can’t be sure if it is the result of a suicide, accident, murder, or…. Well… kind of something else. </p>
<p>The CIA declare an interest and point everyone on the investigation in the direction of a freak accident. Nancy doesn’t buy the theory of spontaneous combustion put forward. Her own unconventional investigations point her in a different direction, but they are curtailed when she is framed for being on the take. This brings her into conflict with her fellow detective and boyfriend, Kyle. </p>
<p>Suspended and under orders not to continue with the search for answers, threats to her life and those she holds dear force her in a race against time to clear her name. But will she avoid death long enough to prove her innocence and to uncover the truth behind the strange events? </p>
<p><b> Emotionally charged and gripping from the very beginning to an extraordinary and unforeseen, though satisfying twist at the end. It doesn’t get much better than this. An uncompromising and compulsive thriller from Declan Conner. </b></p>
Once uploaded it will look like this on Create Space, but for some reason the bold does not show on the kindle description.
Note. I am just in the process of changing all my description, so the formatting may not show yet on my actual books.
Missing: The Body of Evidence, is a gripping crime thriller. A story of secrets and deceptions, and one woman’s determination to discover the truth.
When rookie LAPD detective Nancy Roberts is called to the scene of a fire and the remnants of a body are discovered, CSI can’t be sure if it is the result of a suicide, accident, murder, or…. Well… kind of something else.
The CIA declare an interest and point everyone on the investigation in the direction of a freak accident. Nancy doesn’t buy the theory of spontaneous combustion put forward. Her own unconventional investigations point her in a different direction, but they are curtailed when she is framed for being on the take. This brings her into conflict with her fellow detective and boyfriend, Kyle.
Suspended and under orders not to continue with the search for answers, threats to her life and those she holds dear force her in a race against time to clear her name. But will she avoid death long enough to prove her innocence and to uncover the truth behind the strange events?
Emotionally charged and gripping from the very beginning to an extraordinary and unforeseen, though satisfying twist at the end. It doesn’t get much better than this. An uncompromising and compulsive thriller from Declan Conner.
An example of how I formatted my short story collection.
<p><b> Lunch Break Thrillers – Short Stories. Twelve not so short stories. Also available as single short stories. </b></p>
<p> In this busy world where time is precious, no matter if you are taking a short journey or a lunch break and need to sit back and relax, what better than to read a short story to its conclusion, rather than to put a book aside and forget it. </p>
<p> Lunch Break Thrillers is a gripping mix of suspense, mystery, disaster and murder, all interlaced with memorable characters. </p>
<p> Designed to intrigue and satisfy, these tales will leave you with something to ponder, long after they fade into the dark corners of your mind. </p>
<p><b> The Mystery of the Crimson Robe.</b>
Rookie LAPD Homicide Detective, Nancy Roberts, has a strange encounter with a figure in a crimson robe. Ridiculed by her colleagues, she has more to contend with than a fancy colored garment. A story of overcoming self-doubt. </p>
<p><b> Hide and Seek.</b>
Carl didn’t believe in ghosts. Unless you want to count the Holy one? All that is about to change. </p>
<p><b> The End, or a New Dawn.</b>
For those worried about climate change. Maybe it’s all part of a grand design for a new start of biblical proportion. </p>
<p><b> Where There’s a Will, There’s a War.</b>
A tale of political intrigue and deception. This one is for conspiracy theorists. An interactive story that will have you opening your browser to search the net for answers. </p>
<p><b> Careful What You Wish.</b>
Ross Kellerman does not seem to have any luck at dating. Trapped 24/7 behind his bar, he turns to Internet dating. Big mistake. Luckily, his so called friends are at hand to help out.
<p><b> Downward Spiral. </b>
A cautionary tale and a Helter-Skelter ride for Annie in her fall from grace during rough times. </p>
<p><b> The Black Widow.</b>
When death comes a calling, it can take all shapes and sizes, especially where revenge is the motive. A noir Mafia tale. </p>
<p><b> Phoenix Rising</b>
Set in the backdrop of a bankrupt UK, a corrupt Federal European Union has taken control of the country. Can a failed British secret service agent unravel the mystery surrounding the death of a leading British industrialist?
<p><b> The Enemy Within.</b>
There is a war taking place, but where? It could be nearer than you think. They say to keep your friends close and your enemy even closer. But what happens in a society where you can’t tell one from the other? Would this cause you to become your own worst enemy? </p>
<p><b> The Silver Locket.</b>
A hypnotic tale of hope, from the depths of adversity. </p>
<p><b> Lost Baggage.</b>
How precious are your possessions? Worth risking your life for? Texas born, Rob Carter has the answer. </p>
<p><b> Who Am I? </b>
Worried about identity theft? If not, you should be. It could cost you your life. </p>
Once uploaded it will look like this on the Create Space description, but the Kindle description does not show the bold. If I wanted the text after the title to have started as a new paragraph, then I would sinmply have placed </p> after the title and the bold</b> . I would then start the text with <p>
Lunch Break Thrillers – Short Stories. Twelve not so short stories. Also available as single short stories.
In this busy world where time is precious, no matter if you are taking a short journey or a lunch break and need to sit back and relax, what better than to read a short story to its conclusion, rather than to put a book aside and forget it.
Lunch Break Thrillers is a gripping mix of suspense, mystery, disaster and murder, all interlaced with memorable characters.
Designed to intrigue and satisfy, these tales will leave you with something to ponder, long after they fade into the dark corners of your mind.
The Mystery of the Crimson Robe. Rookie LAPD Homicide Detective, Nancy Roberts, has a strange encounter with a figure in a crimson robe. Ridiculed by her colleagues, she has more to contend with than a fancy colored garment. A story of overcoming self-doubt.
Hide and Seek. Carl didn’t believe in ghosts. Unless you want to count the Holy one? All that is about to change.
The End. or a New Dawn. For those worried about climate change. Maybe it’s all part of a grand design for a new start of biblical proportion.
Where There’s a Will, There’s a War. A tale of political intrigue and deception. This one is for conspiracy theorists. An interactive story that will have you opening your browser to search the net for answers.
Careful What You Wish. Ross Kellerman does not seem to have any luck at dating. Trapped 24/7 behind his bar, he turns to Internet dating. Big mistake. Luckily, his so called friends are at hand to help out.
Downward Spiral. A cautionary tale and a Helter-Skelter ride for Annie in her fall from grace during rough times.
The Black Widow. When death comes a calling, it can take all shapes and sizes, especially where revenge is the motive. A noir Mafia tale.
Phoenix Rising Set in the backdrop of a bankrupt UK, a corrupt Federal European Union has taken control of the country. Can a failed British secret service agent unravel the mystery surrounding the death of a leading British industrialist?
The Enemy Within. There is a war taking place, but where? It could be nearer than you think. They say to keep your friends close and your enemy even closer. But what happens in a society where you can’t tell one from the other? Would this cause you to become your own worst enemy?
The Silver Locket. A hypnotic tale of hope, from the depths of adversity.
Lost Baggage. How precious are your possessions? Worth risking your life for? Texas born, Rob Carter has the answer.
Who Am I? Worried about identity theft? If not, you should be. It could cost you your life.
Good luck with your publishing.
Now Released and available through Amazon (Full length thriller 350 pages 9×6) Print and eBook
Also available through the Amazon Prime lending library.
Don’t have a kindle? No need, you can download a free app from the book page for kindle to computer or mobile device.
Mystery Crime Thriller
Paranormal – Romance – Thriller
Basic tips on writing and self-publishing a thriller book.
I’m not exactly a novice at writing and self-publishing, but I still have a lot to learn. The task can be quite daunting at first and for someone writing their first book, the entire process can be quite frustrating. The same is true if you intend to go the submissions route to agents, in seeking a traditional publishing contract. I will start by saying, there are no rules in crafting thrillers, only conventions. The aim is to write in your own style and voice that will define you as an author.
Much of the frustration can be eliminated beforehand by a little research on your genre/sub genre. Here are some of the things that you need to know before you even put pen to paper. The last thing you want is to write 100,000 words by the seat of your pants, only to discover that you have alienated agents and readers alike and whom expect certain conventions in your chosen genre. I can say this with some certainty, having a similar book consigned to my hard drive for eternity. Once completed, you need to be able to say with some certainty for example….This is a crime thriller, or, This is a disaster thriller. Yes, it may have elements of romance, or a family saga, but the genre must be clearly defined. Just remember, if you don’t know in which slot on the bookstore shelf your book belongs, then neither will a publisher, or a reader.
1st person, or third person?
For the thriller genre, third person past tense is the norm. Some stories will lend themselves to 1st person. In fact I am working on one now in 1st person, (The Journey) uploaded in draft at Authonomy for chapter critique, but then I have no intention of submitting to an agent, preferring readers to be the gatekeepers. Having said that, if a publisher or an agent were to come knocking on my door, I wouldn’t turn them away. The odds of being picked up by an agent are bad enough, so I would recommend third person for thrillers.
For the thriller genre, you are seeking to drive the read forward. If you sample books written by mega selling authors, such as James Patterson, you will find that many books are around 3 pages per chapter. In my latest work, I usually work to a loose template of between 1,200 & 1,800 words per chapter and a book length of between 80,000 and 110,000 words. My latest work has come in at the top end of the scale and 80 chapters. It is not uncommon to find thrillers with 100 chapters.
The pace of stories for me, are determined by how you craft each individual chapter. With the thriller genre, you are looking to start with an opening in the first paragraph or opening section that will hook the reader. That first chapter needs to create the unresolved conflict/mystery that will drive the read forward, ending with a cliffhanger at the end of the chapter.
In new chapters, if you are to continue with the scene from the previous chapter, then try not to resolve the cliffhanger immediately, but create more suspense/tension, leading to a further cliffhanger ending. As James Patterson says, or words to that effect, if a thriller doesn’t thrill, then you have missed the mark.
If you do fly off into a romantic scene for a chapter, then don’t lose sight of the plot within that chapter, work your way back to a cliffhanger by the end of the chapter, or the pace will slow at best and at worst the reader will lose interest.
There are a number of devices that can be used to increase pace and suspense. One such device used to good effect is the ticking clock. Dan Brown used this in The Da Vinci Code.
You will have a good idea of the pace as you write. If you are not excited as to what comes next at the end of chapter, then you need to step away, think about it, and re-write the section. If you are not excited as to what comes next, then the reader will likely have the same feeling.
One thing that can slow down pace is backstory. Large chunks of backstory will kill a story stone dead if not done right. The way to approach this subject is to add snippets throughout the story. Another way to overcome this is by using dialogue/character thoughts.
A trait that will slow down pace is head hopping. It is common for new writers to change narrative Point of View (POV) within chapters. I am not saying don’t do this, because done right, it can be effective. If you are to do this, then at least leave a space between POV sections, or use *** to denote a POV change. It is far easier to keep the reader’s attention if you can stay in one POV throughout the chapter.
For me, when writing, I think it is important to remember that we are not writing a film script, where the camera can pan from scene to scene and person to person in rapid succession. In films, rapidly changing POV is held together by the audio/visual art of the film, leaving little to the imagination. With books, I tend to believe that what sets the medium apart, is that the narrative creates a flowing picture in the reader’s mind, and in which, the changing POV can have the effect to unsettle the imaginative process for the reader and cause them to switch off.
Overuse of dialogue tags can slow down pace. Give each speaker their own worldview and quirks in the way they speak, but don’t overdo dialect or accents. Add movement, or facial expressions between individual speakers. Make sure the dialogue is realistic and you will find you can cut speech tags to a minimum.
It is always a good idea to write character CV’s before you start. If nothing else, a list of characters is useful. It’s surprising how many times Mike will end up as Bill by mistake at the end of the story. For your main Character, you are looking to create someone who the reader will want to follow on their journey. Flawed characters are a bonus. Character traits are what will make them three-dimensional and can be used as a means of adding depth to the story. It is the emotional baggage they have to overcome in resolving the issues that they face, that will add to the satisfaction of the read, with the reader becoming attached to how the main character changes through the story.
Characters emotional responses.
Just because it’s a thriller, doesn’t mean your characters shouldn’t have emotional responses. Emotional responses to words and deeds are what take the character out of being one-dimensional. They may be depicted as hard-boiled, but everyone other than a psychopath has feelings. If someone says to your character “you fat useless bastard.” Then show their hurt or disgust at the insult before they respond with dialogue. Similarly if they witness a traumatic event, show the reader the effect it has on their psyche before stirring to action.
Cliché I know, but beginning middle and end is the way to go. Many writers prefer to write the story by the seat of their pants. It can and does work, however, as I have found, using this method you can end up 50,000 words in and stuck in a cul-de-sac with the dreaded writers block. At least outline your plot and know your twist ending before you start if you want to avoid writers block.
Show v Tell
Aim to show rather than tell the story. Don’t have characters “feel” show by their actions and expressions. Every time you write “feel or felt” go back and think how you can show the reader what your character is experiencing. eg …Does he feel sick at the scene before him? Or does he retch and avert his eyes?
I can’t stress enough how important it is to read books in your genre. It is rare for someone who does not read to make it as an author.
Not everyone is skilled in all aspects of writing. If you have a full toolbox, then great, but if not, don’t let it be an impediment. I would rather be a good story-teller than a professor of grammar. Of course, if you are both, then great. If not, there are many things you can do to acquire skills. You can take night classes at college, or maybe join a creative writing group. If time is of the essence, then there is a wealth of information on the internet.
If you take a look at publishers, they have editors, proofreaders and copyeditors. All these skills are rarely possessed by each discipline.
Substantive editors… They will look at the overall plot, pace, continuity, characters etc.
Line editors…. They will provide a line by line edit for grammar and punctuation.
Proofreaders… They will re-check edited work for house style/ consistency, regards punctuation and grammar and they will correct typos.
Copy editors… Final check for typos, punctuation and formatting errors before print.
Most books, by the time they are finished and polished to the best of your ability, regardless of your skills, they will come back from a publisher, or a freelance editor with a mass of red marks for alteration. In some cases whole sections have to be re-written. I only say this, because it is nothing to take offence at, and in preparation for when you have the experience.
Once you have 10,000 words written, you can upload for critique to sites such as Authonomy.com. You can exchange reads with other authors who can provide valuable feedback. There is a game being played on there to win a Harper Collins review, but regardless, take out the gamers and it is a useful site. Just don’t get caught up in the game and continue to write. One thing I would do, is to go to the books on there that have received HC editors’ reviews. If nothing else it will give you an idea where your story could fall down.
If there are aspects of grammar and punctuation you don’t know, then there are many sites on the internet with the answers.
Okay, so you’ve finished your book…what then?
Unfortunately, this is just the beginning, especially, if you intend to self-publish your work. Here it is easier to tell you what not to do.
Don’t ask friends and family to read and give their opinion. They will only tell you that your work is great.
Don’t rush to publish and don’t think that paying for a line edit will catch everything. It is a rarity to find an editor who posses all the individual editorial skills to complete the work to perfection. Put the book to one side after editing and then come back to it with fresh eyes. Only when your book is edited and proofread to the extent that you are pushing commas around for clarity are you ready to format your work for publishing, or for submitting to agents. My site contains guides for formatting your work both as an eBook and as a POD (Print on Demand) paper book.
If you are still game for self-publishing when you have finished, then good luck on your journey. You may not make your fortune, but trust me, it is a very rewarding experience.
Don’t have a kindle? No need, you can download a free app from the book page (scroll down right hand side) for kindle to computer, or mobile device. Declan Conner’s latest release, Missing: The Body of Evidence now available as an eBook and a print book through Amazon. (Print book 350 pages 9×6 inches.)
Mystery Crime Thriller
Tags; Paranormal – Romance – Thriller - LAPD, Female detective - CIA black projects – Astral travel – Spontaneous combustion.
O Mistério do Roupão Vermelho
Conto. Português edition, com Americano e Reino Unido inglês disponívei em um eBook
Aprenda Inglês e se divirta ao mesmo tempo.
Tradução: Anderson Cunha Rael
Short story with Portuguese, American and UK English versions in the one eBook.
Don’t have kindle? FREE Amazon download for Kindle to your computer or device.
Download and start reading now.
Learn a language and be entertained at the same time
I was humbled recently to be asked to do an author interview at the local University here in Brazil. I really didn’t know what to expect, so this was a learning curve for me.
They had sought me out after some of the English lit students had visited my web site. I have a section on my site, where I ask for help translating one of my shorts, Mystery of the Crimson Robe, to Brazil Portuguese. To date my site has had in the region of seven-hundred hits from Brazil, so this was a great opportunity for me to meet some of the people behind the page hits, and to put a human face on the the sites statistics. They were fully aware I was self published, so I was intrigued as to why they would want to interview me. But then thinking about it, maybe Lee Child or Stephen King, were otherwise engaged.
On arrival at the University, the Professora gave me a list of the twenty nine questions that the students would be asking and told me they would be filming the interview. I had five minutes to prepare and to say I was nervous, doesn’t adequately describe the fear I experienced. I was about to do an exit stage left, until the Professora told me the students were probably more nervous than me.
The interview lasted two hours. I soon learned that they had downloaded my short story books from Amazon etc and studied them. I thought afterward, it was the most rewarding, if not challenging experience I had encountered in my short writing career. I wasn’t expecting what transpired. I thought that was the end of it, but after the interview, they asked if I would return for a seminar in front of the entire English lit students. I agreed.
The week following the interview, I had a good number of the students join my Facebook page, including the University. One of the students emailed me and offered to translate one of my shorts for free and asked permission to make one of the stories into a video game. This project is ongoing.
A month later, I went back to the University as a guest for the seminar they were holding. The seminar included a number of topics, one of which, presented by Samuel, was the depiction of Alice in Wonderland in pictorial form through the ages, which I found very interesting. What surprised me was how much of the Portuguese language I understood. My sponsor for the evening, Magili Sampaio, took the stage to give her presentation, and I nearly fell of my chair, when on the Power Point screen appeared…... DECLAN CONNER-EDGAR ALLEN POE.
The presentation was in Portuguese, but basically she was saying that my work was on a par with Edgar Allan Poe. Magili thought that although my stories were contemporary and written in a different style, she considered my stories covered the same type of subjects and mindset.
Different book covers of mine kept popping up on the Power Point screen as they discussed the stories. To say I nearly fell of my chair is an understatement. To put the cream on it, Samuel had edited the film he had taken from the first interview and added Portuguese sub titles and played it back. At the end of the film they all applauded. There was a question and answer period, followed by group photo’s, one of which they have posted to my Facebook page.
So who is the Edgar Allan Poe guy? Well if I didn’t know about him before I do now.
Edgar Allan Poe - born, January 19, 1809. He is best known for his tales of the macabre and mystery, Poe was one of the earliest American writers of the short story and is claimed to be the inventor of the detective genre. He is also credited with contributing to the emerging genre of science fiction. He is claimed to be the first well-known American writer to try to earn a living through writing alone, resulting in a financially difficult life and career. The financial aspect of his life; is one point on which I feel I definitely can share an affinity with him, besides our liking for bow ties.
All I can say is that I have never felt so humbled in my life and as a celebrity for a night (or two) if I never achieve anything else with my writing, then the experience will have made it all worthwhile.