Archive for April 12, 2011


I am currently working on a simple, yet comprehensive guide on how to format and design your pages for POD, through the likes of Create space and Lulu. The guide will enable you to provide headers and correct number paging, together with drop caps etc. There is also a “Lowdown on taxation,” article included.

To see how it is progressing, check the, “POD Formatting.” page navigation tab at the top of the page, or click here. Formatting POD


PRESS RELEASE

Declan Conner, is the author of ‘Lunch Break Thrillers’. Twelve not so short crime/mystery thrillers. His stories cover popular subjects such as, edating frauds, identity theft, political intrigue, home foreclosure, lost airline baggage rage and climate disaster etc, across a variety of thriller genre styles.

Lunch Break Thrillers, without the links has already enjoyed success, reaching the bestseller list for its category in the UK and sandwiched between the likes of Steven King and Agatha Christie.

Declan has made two of his short stories interactive by adding links to articles that sparked the ideas for the stories and to enhance the readers experience. As an example, his controversial story, ‘Where there is a will, there is a war’, puts forward a fictitious scenario for the real reason behind the war being waged by America and Britain in Afghanistan. The links add some ring of truth to the story to leave the reader with plenty to ponder about in the dark corners of their minds, long after the last page is turned.

Whilst the use of links in ‘How to’, eBooks is common, Declan hopes that others will follow his lead, by making use of simple eBook technology to enhance the reading experience for adult fiction eBooks and which will set them apart from printed books. This is different to the interactive features developed to harness the computer characteristics of eReaders and designed to appeal to those who enjoy computer games. These features are at the cutting edge of technology and are particularly well suited to children’s books.

His book is available with both American and UK English translations, at an introductory offer of 99c in America and 70p in the UK.

US, LUNCH BREAK THRILLERS        UK, LUNCH BREAK THRILLERS

Self publishing a book soon, or do you have one that is creating a BUZZ. Why not send me details and I will post it under, Creating a Buzz. Check it out.


Missing_wraparound_print_cover (1) 1040

Professional design  above versus my version

Missing Cover 2

Survival_Instinct_print_wraparound_cover 1048

Professional design  above versus my version

SURVIVAL INSTINCT NEW COVER

Deadly Journey. Due for publishing early 2014

deadly Journey JPG

Professional design  above versus my version

JORNEY TRIAL EBOOK COVER

The answer is everything…Your book cover is the packaging that it going to sell your product that it contains.  It is clear from the examples above, that my own skills fall short in this respect, when compared to contracting the skill sets of a designer.

There is a basic principle in advertising that applies equally to books. Just look at ads in your local newspaper. The well-informed advertisers work to three principles. Whom it is, what it is and where to get it. All other marketing jargon and arty-farty creativity are bullshit, unless the purpose of the ad is brand awareness. You must always have the basics in mind when commissioning a designer, to be able to give them a clear undertaking of what you require and leave them to use their creativity around that. If you are designing the cover yourself, then just pray your creative juices will enhance the basics. I have to say though, that cover design is the one item on your list that if you have a budget, it is best left to the professionals. I think I struck lucky with the design of Lunch Break Thrillers. However, the cover for Survival Instinct left a lot to be desired. I knew how I wanted it to look, but didn’t have the software or the expertise to realize my concept at the time. Fortunately, when I scraped the budget together, the end result was well worth it and paid dividends.

The development of eBook technology and the sites that distribute eBooks have set size parameters that have caught out many designers of books. Books that caught the eye on the bookstore shelf can look bland on the web page and unless you are a fan searching out a writer, the book can be easily overlooked. I would always recommend designing the eBook cover first and make sure that it is clearly visible as a thumbprint.

So how do the basics apply to all book covers? Simple, but first take a look at eBook covers as the information for the customer to make a decision about buying is fragmented and slightly different to the printed book. Your name is your brand, your title is what it is and if it is an eBook, the click on the cover will take you to where you can get it and will provide further information to allow you to make a decision to buy, or not.

In the case of paper books, the customer will have everything in their hands to make the decision, through the cover, the book blurb, the author’s bio and sample reading, but as in the case of both media, it is like being on that first date … there has to be that initial spark to explore the possibilities.

If you take the brand, you may be unknown now, but your name is going to be your brand. All that implies, is that you will be known for writing in a certain style and in a certain genre. If you take care of the quality of your product then you will become a trusted brand and recommendations will follow. When designing your cover be sure to have one eye on future publications. By positioning your name where it will appear on all your books, including the spine and in the same font style, it will make your brand easily recognizable as your reader base grows. The positioning of your name on the spine is perhaps the most important. Just think how it would look with a number of your books on your own bookshelf.

Titles are… ‘what it is’ and should give some clue as to the content of your story. The same is true of any background design.

I think the, ‘where to get it’, is self-explanatory. In all cases, you will have been enticed by a need, possibly influenced by outside sources, or marketing to arrive at the location to purchase.

So what other influence can determine your choice of design? For this, you need to research your genre. However, it doesn’t stop there. Ask the question, will a design for the American market suit the British market? You may be surprised by the answer.

‘Who am I to give advice?’ you say. All I can say is, I have researched the subject of covers over the last two years. ‘Will the information guarantee success?’ you say. Hell no, but it will put you in with a fighting chance in what is a highly competitive market.

Try the link in the sidebar at the bottom for further insights into cover design (Success and Failures.) I will add more as I find them.

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© Declan Conner and declanconner.com, 2011. Unauthorized use and/or duplication of all or any material, or articles and guides published on this site without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Declan Conner and declanconner.com with appropriate and specific link direction to the original content.

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